Nobody se A UX/UI designer, with 5 years across product, brand, and no-code.

Most recently I was working remotely for Order Group, I designed high-fidelity screens and components in Figma, working within and extending the design system to ensure consistency across portals and products. I created wireframes and interaction flows to map user journeys. With the rise of AI, I began building and testing AI-accelerated tools to prototype real user flows. Using platforms like Lovable and Claude Code, I was able to simulate interactions in real time and visually demonstrate product concepts to clients. Participated in design critiques, providing evidence-based rationale for decisions like user experience, typography, spacing, color, iconography, and layout. Collaborated with aother UX Designers on compiling I also ran full-cycle Webflow and Framer builds for performance marketing sites: research and concept through wireframes, interaction flows, and launch, working closely with front-end engineers on GSAP animation inside design systems like Client First. That work leaned on a solid UX principles, interaction design, and user-centred process, taking research insights and turning them directly into design decisions.

I'm comfortable in agile workflows, sprint planning, and collaborating closely with designers, product managers, and developers to refine requirements and incorporate feedback. I'm independent enough to ship fast and bring UX-tailored solutions, while also understanding client needs and working alongside the team.

The project I’m most proud of is for PG (Politechnika Gdańska), one of Poland’s leading universities. I led the prototyping across the site, translating the visual identity created by Mama Studio into cohesive UX solutions. Based on their brand direction, I designed high-fidelity prototypes and built a production-ready component library. One of the main challenges was the site navigation. Through close collaboration with other UX designers, we developed a solution tailored to the existing structure while significantly improving usability.

Another project worth to mention is SFR (Studio Filmów Rysunkowych), one of Poland's oldest animation studios. I led most of the UI across the site, shaped the motion direction page by page, and helped build the production component library, typography and identity tuned to resonate with the studio itself: playful, a little vintage, and certainly Polish. The deadline was tight, and I built it alongside Michał, my closest design partner at John Weston Group, together we pushed hard to bring the whole site to life in a fraction of the usual time.

Alongside that, I have experience on Six Construction, a B2B industrial services site, where I owned design and the full Webflow build. I used Claude as a coding partner to implement GSAP motion early in my technical journey with it, Claude bridged the gap between what I wanted an interaction to feel like and the actual code to get there.

Day to day, I use Figma AI and Claude, including Claude Code, as part of my journey toward becoming an AI powered designer. Right now I'm building my environment fundamentals: working with Claude in the terminal.

I'm looking for a place where I can be part of the strong team, grow, and go deeper into designing digital products and I'd welcome the chance to talk about how I can contribute to design team.